Criticisms of my own voice have made me ponder on the perceived problem with the way women speak. What is there about the female voice that drives some to distraction?
Giving medical talks
I have given a number of medical talks over the years—reports on my research, reviews of surgical topics, mentoring speeches, and grand rounds, among others. I prepare for these talks extensively but tend to speak extemporaneously to engage better with my audience. I’m pleased to say that, in general, I have received good feedback.
Several times, however, I have been given the “constructive criticism” that my voice is “girly” or “immature.” I will be the first to admit that I am not an expert on oration or public speaking. I have no background in stage acting or performance. However, I did receive speech accolades in my youth.
The first was when I was in high school, I was the Lincoln-Douglas Debate state champion in California. Later, while in college, a friend and I won the Adams Cup for Parliamentary Debate at Yale. Despite this, I know very little about what the ideal speaking voice is supposed to sound like.
My focus for my medical talks is simple and content-based:
- speak clearly
- convey my message
- use a voice that my audience will understand.
To be sure, I am a woman of petite stature and my speaking pitch is soprano to mezzo-soprano. I am also a fully grown adult with gray hair and a busy plastic surgery practice who has published and spoken extensively in my field.
Yet with recent media attention to the many perceived flaws with female voices, I cannot help but wonder about the extent to which this phenomenon applies to the world of science and medicine.
Upspeak, vocal fry, and other complaints about the way women speak
Women have been criticized for “upspeak”—using a voice that trails upward in pitch at the end of a sentence. This is a version of a “Valley Girl” lilt. It has been described by linguist Mark Liberman as a speech pattern that makes it sound like we are asking for permission or posing a question.
It sounds weak and lacks authority, we are told. Kelly Ripa is an example of a woman who frequently employs upspeak.
Conversely, women are also criticized for “vocal fry”. The is the use of a hoarse, low-pitched rumble that is commonly employed to add emphasis, depth, or satire to speech.
According to NPR On the Media host Bob Garfield, this sounds unrefined and lacks gravitas. He says it is “annoying,” “repulsive,” and “mindless.” Examples of vocal fry users include Tina Fey and Lindsay Lohan.
Interestingly, vocal fry has been described as “the opposite of upspeak” by The Daily Dot’s Amanda Marcotte. She argues that it conveys more authority than monotone speech because the voice takes on a lower pitch at the end of a sentence. Yet it is still derided as an irritating female speech affectation.
There is also a more general series of complaints about women’s voices that reverberates in the media. To wit:
- Hillary Clinton’s voice is too “nagging” according to Fox News journalist Mark Rudov
- Sarah Palin’s voice “causes ears to bleed” according to the Free Wood Post
- Ann Coulter’s “whiny voice is so distracting” according to AOL TV reporter Jane Boursaw.
Politics aside, these complaints cross the aisle to suggest that there are very few pleasing and acceptable ways women can speak.
How are women supposed to speak?
Taken as a whole, criticisms of female voices of authority are difficult to make sense of. Women’s voices are derided for being high-pitched, low-pitched, varied, and, well, feminine. But ask yourself, how exactly are women in professional roles supposed to speak?
In medicine, public remarks are intended to educate and elucidate content-heavy material. Perhaps even more so than in other realms, the topics we discuss publicly are technical and complex, such as:
- molecular biology,
While speaking voices should certainly be clear, the societal trend of policing women’s voices distracts and detracts from this important subject matter.
There is no way to take the woman out of her own voice
There is no way to take the woman out of her own voice, nor should there be. Generally speaking, women have smaller vocal folds and laryngeal cavities than do men,
Therefore, it is unsurprising that the higher pitch and lower volume of female speech patterns reflect this. Also unsurprising is the female tendency to use forms of vocal inflection to vary oratory sounds, given that there is less possible volume variation.
The bottom line
This variance in women’s speech does not make it girly, immature, whiny, cloying, annoying, or otherwise objectionable. It simply makes it the way half of the population tends to vocally project. And in medicine, as in all fields, it makes it worth listening to.
Initial publication date: 8/5/2015, reviews and republished: 10/10/18 [A version of this post appeared on The Doctor Blog on 07/31/15.] You can learn more about the author here: LaraDevganMD.com.
Lara Devgan, MD, MPH
Dr. Lara Devgan, MD, MPH is a Yale-educated, Johns Hopkins-instructed, and Columbia/New York Presbyterian-trained board certified plastic and reconstructive surgeon. An attending plastic surgeon at Lenox Hill Hospital and Manhattan Eye, Ear & Throat Infirmary, she has spoken nationally and internationally on numerous plastic surgery topics. Her research and writing have been published in the New York Times, ABC News, and dozens of surgical publications. She is an editorial consultant for The Lancet, a peer reviewer for Aesthetic Surgery Journal, and a medical expert for ABC News.
There is a certain ‘tone’ of female voice that makes me want to throw things – it’s nasal, high pitched, loud and to me, it feels like someone poking needles in my eyes. It has nothing to do with personality, style of speaking, or even what is being said. To me, it’s the hearing equivalent of running my fingernails over a chalkboard really really hard.
There is such a thing as a beautiful speaking voice, and it should be appreciated as much as a beautiful singing voice. It has little to do with the sex of the speaker and more to do with how the sound of the voice makes you feel. Is it calming? Soothing? Or does it make you feel like pulling out your Uzi ? Seriously, that’s how I feel sometimes.
I don’t know how much of this is a physical affliction (i.e., deviated septums, adnoids, who knows) and how much is just not thinking about how you sound. As a singer myself, I know that you do have quite a bit of control over your tone if you are interested in working at it. If you aren’t, well good for you but I think if you’re trying to be at all persuasive in your presentations, lectures, speeches, whatever, you might want to consider listening to yourself objectively and working a bit on your tone if you think it could use it.
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